In Michael Myers, director John Carpenter created an enduring yet harmful horror archetype.
By Thomas Hobbs
A personal essay on the director’s 1980 horror, which is returns to cinemas this Halloween.
The Irish rising star talks American Animals, shoplifting and how playing a certain type of character can lead to having weird dreams on set.
The American writer/director of Bad Times at the El Royale on his love of movies, music and fascination with the 1960s.
Themes of memory and death lie at the heart of Terry Gilliam’s dystopian time travel saga.
The director of Mudbound on how she grappled with the legacy of slavery in the Deep South.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
