Colin Firth heads for the open ocean in this mysterious drama from British writer/director James Marsh.
Roger Michell’s plush adaptation of Daphne du Maurier’s mystery romance novel fails to leave a lasting impression.
Rachel Weisz rails against Nazi apologists in this sturdy court room drama for the ‘post-truth’ age.
Michael Fassbender and Alicia Vikander get hit by a deluge of Emotion in Derek Cianfrance’s period melodrama.
A legend of British cinema teams with Italy’s master of screen sensuality to tell a sparkling tale of nostalgia and sorrow.
Director Yorgos Lanthimos proves he’s still got plenty left up his sleeve with this dark dystopic satire.
Fernando Meirelles globetrotting ensemble drama is a contrived, bubble-wrapped portrait of the global village.
Far from being a lean and exciting action caper, The Bourne Legacy wastes far too much time trying to justify its own existence.
By Jason Wood
Terence Davies’ wartime tragi-romance is filmmaking of the highest order.
As Rian Johnson’s difficult second album, The Brothers Bloom is more an anti-climax than a letdown.
An emotional powerhouse that sucks you in and rips you apart layer by layer. An unparalleled experience.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
