Brad Pitt is set to reprise his role in the long-awaited follow-up to 2013’s apocalyptic zombie horror.
By Adam Scovell
Carol Reed’s 1948 classic captures the transition to adulthood in all its contradictions and hypocrisies.
By Paul Weedon
Guitarist Stuart Braithwaite reflects on the band’s latest original score for the sci-fi action movie Kin.
By Anton Bitel
On the envelope-pushing effects work of Sam Raimi’s hand-tooled gorefest, set for re-release this Halloween.
Richard Linklater’s seminal high school movie is the ultimate endorsement of living in the moment.
By Anton Bitel
Ted Post’s 1973 film The Baby takes the notion of the dysfunctional family to a whole other level.
By Adam Scovell
The director’s tale of twin gynecologists is a gory study of the relationship between the physical and mental self.
By Mark Allison
The film’s radical approach to violence and gender politics was perfectly pitched for the counter-culture generation.
Emma Stone and Jonah Hill sign up for a mind-bending drug trial in Cary Fukunaga’s immersive miniseries.
The director’s follow-up to his Oscar-winning Moonlight is based on James Baldwin’s classic novel.
The ubiquitous font features prominently in the provocative arthouse filmmaker’s work, including his latest, Climax.
The duo’s fabled experimental album is set for release later this year.
By Ed Gibbs
Director Steve Loveridge was granted unprecedented access to singer-activist M.I.A, but does it meaningfully enhance his film?
This romping tale of clashing artistic egos screens as part of the Royal Albert Hall’s Festival of Film.
By Anton Bitel
Teruo Ishii’s Horrors of Malformed Men contains one of cinema’s most straightforwardly stark raving villains.
The Simpsons creator’s first foray into streaming continues his tradition of subversive central characters.