By Anton Bitel
Sidney J Furie’s The Entity is deeply disturbing but essential viewing.
Why have mid-budget films all-but disappeared from today’s cinematic landscape?
By Anton Bitel
Jason Blum, producer of The Purge, Insidious and Get Out, offers valuable insight into low-budget movie making.
Peter Watkins’ incendiary pseudo-doc Punishment Park feels as vital today as it did back in 1971.
By Amy Bowker
The celebrated Quebecois director is back with The Death and Life of John F Donovan.
By Amy Bowker
The Radiohead frontman will provide music for Luca Guadagnino’s upcoming re-imagining of Dario Argento’s cult classic.
By Amy Bowker
Watch Ryan Reynolds and Samuel L Jackson wreak havoc in this action-comedy caper.
By Amy Bowker
Filming will begin within ‘the next 14 months’ according to the director.
By Greg Evans
The tragicomic tale of Frank Grimes from 1997 contains a sharply-observed social critique.
Twenty years on, Luc Besson’s neon-hued space opera has lost none of its off-kilter charm.
By Thomas Hobbs
The revelation that Lambert is a transwoman transforms what we know about Ridley Scott’s sci-fi horror.
By Amy Bowker
Kirsten Dunst is submerged in a dream world in this hypnotic horror-thriller.
By Amy Bowker
News of a forthcoming reboot has got us thinking of who should take the reins of the saga.
International Man of Mystery remains a brilliant, startlingly progressive satire of male sexuality.
By Mike Kelt
Award-winning practical effects artist Mike Kelt pays tribute to HR Giger and Carlo Rambaldi’s iconic monster.
By Amy Bowker
She’s teaming up with Hunger Games director Francis Lawrence to play a Russian intelligence officer.
By Amy Bowker
The Attack the Block director is readying his second feature, The Kid Who Would Be King.
By Elena Lazic
The Levelling director speaks openly about the challenges of making work as a young mother.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
