By Luís Azevedo
Luís Azevedo serves up some of the strangest and more stomach-turning food moments in cinema history.
By James Clarke
Walter Hill’s under-appreciated historical drama reminds us how powerful Hollywood cinema can be.
By Adam Scovell
The British filmmaking pair’s 1948 masterpiece is an elegant ballet of myth and fairy tale.
It may look like your average YA fodder, but there’s something sinister lurking beneath the surface of this supernatural drama.
This messy, invariably entertaining cinematic staple can represent anarchy, revenge and sexual release.
By Chloe Smith
Ben Lewin’s 2017 film allowed me to better understand my condition and myself.
Hugh Gibson’s 2016 documentary is a sensitive and important portrait of addicts in Toronto.
Kim Dong-won’s rare 2003 film Repatriation plays at the 2018 London Korean Film Festival.
We’ve teamed up with the director of Drive and The Neon Demon to bring weird cinema to the masses.
Desiree Akhavan’s sparkling conversion therapy drama graces the cover of our autumn issue.
By Anton Bitel
Umberto Lenzi’s Cannibal Ferox fully deserves its reputation as one of the genre’s toughest watches.
By David Whelan
A new documentary charts the life and career of one of professional sport’s greatest con men.
Barry Jenkins, Damien Chazelle and Yorgos Lanthimos all look like early contenders for major awards.
By James Morton
With the likes of Blue Velvet and Society, the decade saw the American Dream turn into something grotesque.
Steven Spielberg’s World War Two drama brought me closer to my grandfather, who survived the D-Day landings.
By Thomas Hobbs
This forgotten 2001 horror set in an abandoned asylum offers a pertinent look at a modern issue.
By Nathan Smith
There’s a sly satiric message at the heart of Joe Dante’s 1998 tale of action figures running amuck.
By Emma Fraser
From peak Amy Adams to the return of Matt Groening, these are the series you can’t afford to miss this summer.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
