By Anton Bitel
Shot in a real abandoned asylum, Richard Friedman’s gore-fest shows a subgenre in microcosm.
From Alfred Hitchcock to Fritz Lang, the process of creating women has long been an obsession of cinema’s greatest male creators.
By Henry Bevan
Superheroes don’t just exist to save the day, as Brad Bird’s animation sequel proves.
In her new Netflix special, the Australian comic refuses to play by the rules of stand-up comedy.
After reviving several franchises and ‘remaking’ Die Hard with Skyscraper, what else could Hollywood’s biggest star bring back?
By Walter Murch
The editor of The English Patient contemplates the future of the English game.
By Adam Scovell
Revisiting the iconic director’s work every 10 years, from Too Much Johnson to Touch of Evil.
My late childhood was moulded by movies that seem increasingly problematic when viewed today.
Olivia Colman, Emma Stone and Rachel Weisz star in the writer/director’s farce-ridden latest.
The popularity of this and other recent series reveals something interesting about the genre’s limitations.
By Ethan Warren
How do these psychedelic fantasias, starring The Beatles and The Monkees respectively, hold up today?
Forty years ago, director Michael Cimino set a masterful precedent for coming to terms with the trauma of war in The Deer Hunter.
Emma Stone, Saoirse Ronan and Florence Pugh are in casting talks for a new film version of the classic novel.
By Anton Bitel
Resolution, from filmmaking duo Justin Benson and Aaron Moorhead, is a true original.
Original alternate one-sheets for Psycho, Dial M for Murder and The Birds.
The British actor casts a gaunt, morbid, uncompromisingly human figure in Mike Leigh’s nocturnal London odyssey.
By Adam Scovell
Howard Hawks’ screwball is one of the first truly great sound comedies.
Season two sets us up for a deeper understanding of the show’s characters and their group dynamic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
