Jake Gyllenhaal and Ryan Reynolds chart familiar territory in this drab-looking space thriller.
The messed-up mind who brought us The Greasy Strangler discusses his film’s repulsive appeal.
A new short documentary taps into cinema’s potential for presenting love in all its complex forms.
Join us on an epic round the world trip to some of the darkest reaches of horror cinema.
By Anton Bitel
Law abiding becomes a matter of life and death in Marcus Dunstan’s The Neighbour.
The title character in John Carpenter’s 1983 film is a memorably monstrous movie seductress.
In 1992 a young Peter Jackson created one of horror cinema’s most gruesome and enduring splatterfests.
By Ella Donald
The new season of the dark social satire features a refreshingly tragedy-free queer relationship.
By Chris Haydon
Where The Force Awakens was a safe bet, Gareth Edwards’ Star Wars story has an even greater task on its hands.
The enigmatic director described the “lure” of digital technology at a recent live Q&A.
In his sprawling new work for the BBC, HyperNormalisation, Adam Curtis reveals his limited range as a filmmaker.
Two writers make their case for the most eccentric moment in the director’s career.
By Lara C Cory
The Trent Reznor-produced score is being reissued for the fist time in 20 years.
He may be all but retired from feature filmmaking, but traces of the genre director’s legacy can be found everywhere.
George Miller’s berserko road movie is available in all its monochrome majesty.
How a handful of filmmakers and a simple hashtag turned stories of African-American oppression into a national concern.
By Adam Cook
The director’s 1963 film The Executioner is getting a home video release courtesy of the Criterion Collection.
Leonardo DiCaprio exec produces this powerful documentary about Africa’s ivory trade.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
