By Taryn McCabe
Fifty years ago, The Shooting and Ride in the Whirlwind kicked off the ultimate counter-cultural genre.
By Tom Watchorn
The director’s Alice Cooper-starring apocalyptic horror is among the most haunting in his entire filmography.
Sharon Horgan’s brave, brilliant new show offers an authentic warts and all look at a failed marriage.
How might President Barack Obama’s famous speech have looked had it been co-written by a certain James Franco?
Take a first look at Gore Verbinski’s upcoming psychological thriller.
TV’s most thought-provoking social satire is back with a softer vision of a bleak future.
The director was correct in chastising the “fake nostalgia” of period dramas.
By Aimee Knight
Was creator Richard O’Brien on the money when describing his other box office flop?
The end of the world has a familiar theme in these train-based South Korean allegories.
The fun quotient appears to remain high in James Gunn's forthcoming comic book sequel.
Kal-El’s mild-mannered alter-ego is key to understanding the character.
Justine Smith examines how movies like The House of the Devil and Lords of Salem use nostalgia to expose a fractured national identity.
Tilda Swinton’s Ancient One looks to be Marvel’s most progressive character yet.
Fifty years on, this low-key drama stands as a glorious shrine to analogue film.
By Colin Biggs
For many of us it’s a case of escapism, but for others horror cinema can be at once scary and soothing.
The Irish star opens up about his most recent and upcoming projects.
Never has on-screen magic been so compelling as in the director’s now 10-year-old passion project.
Each of the Arkansas director’s films addresses pressing social concerns affecting working-class white voters.