By Mike Tsenti
Mamoru Oshii’s classic anime is being re-released in the UK early next year.
Sion Sono’s Anti-Porno explores the untapped sexual imagination of women.
In Jill Soloway’s hit show, women’s emotional outbursts are crucially not stigmatised as “hysterical”.
By Mike Tsenti
A role reversal spinoff to this year’s surprise summer hit would be a step back for gender diversity.
By Taylor Burns
Terrence Malick’s 1999 epic is a stunning meditation on the natural world and our relationship to it.
Director Robert Greene explains why he won a documentary writing prize at Sundance.
By Anton Bitel
These funny-faced pranksters continue to inspire a special blend of amusement and unease – and movies are partly to blame.
By Vadim Rizov
Vadim Rizov considers the mainstream appeal of a trilogy of proudly racist films by one of conservative America’s most potent voices.
The author of ‘Psychedelic Celluloid’ measures the impact of British pop music in film and TV during the Swinging Sixties.
By David Hughes
Like Superman during the Great Depression, today’s superheroes are in-sync with our complex political climate.
By Gruff Rhys
The Super Furry Animals frontman recounts the formative screen experiences that inspired his latest original score.
By Anton Bitel
Joseph Sims-Dennett’s taut psychological thriller Observance is out now on DVD.
As the nights draw in and the leaves turn it’s time to cosy up with these seasonal gems.
In a year when big movies went bad, there are lessons to be learned from Gareth Edwards’ micro-budget marvel.
In the first of a series of essays on Obama Era Cinema, Forrest Cardamenis counts the toll of US foreign policy during Barack Obama’s presidency.
While Marvel’s Luke Cage is tackling race issues head on, progress is much slower in the studio’s cinematic universe.
Laura Israel’s fascinating documentary Don’t Blink captures the enigma of the famed Beat photographer.
Peter Berg and Mark Wahlberg reteam for this decidedly low-key human drama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
