By Adam Scovell
Themes of memory and death lie at the heart of Terry Gilliam’s dystopian time travel saga.
By Adam Scovell
Carol Reed’s 1948 classic captures the transition to adulthood in all its contradictions and hypocrisies.
By Adam Scovell
The director’s tale of twin gynecologists is a gory study of the relationship between the physical and mental self.
By Adam Scovell
Visiting the southeast London estate featured in Stanley Kubrick’s 1971 film makes for a dystopian experience.
By Adam Scovell
The British filmmaking pair’s 1948 masterpiece is an elegant ballet of myth and fairy tale.
By Adam Scovell
Revisiting the iconic director’s work every 10 years, from Too Much Johnson to Touch of Evil.
By Adam Scovell
Howard Hawks’ screwball is one of the first truly great sound comedies.
By Adam Scovell
A curiosity in the everyday powers Agnès Varda’s masterful second feature.
By Adam Scovell
Released 50 years ago, the director’s lo-fi debut is filled with potent imagery and political resonance.
By Adam Scovell
The director’s 1957 occult classic continues to cast a long, sinister shadow over horror cinema.
By Adam Scovell
Nicholas Ray’s 1950 tale of male power, anger and violence is receiving a timely theatrical re-run.
By Adam Scovell
How the director’s mastery of space and location created the famous crop-duster sequence.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
