By Aimee Knight
The world’s first all-girl punk rockers take the stage in this entertaining docu-profile.
By Aimee Knight
Warwick Thornton’s gorgeous period drama cuts to the heart of Australia’s dark colonial past.
By Aimee Knight
This essential, moving documentary challenges the idea of prison as a breeding ground for machismo and violence.
By Aimee Knight
Alex Taylor’s fluoro-hued directorial debut is a painfully misconceived exercise in teen bait.
By Aimee Knight
Bombay Beach director Alma Har’el serves up an intriguing painted poem of a film.
By Aimee Knight
A young loner goes off the rails in ’70s Czechoslovakia in this haunting, relentlessly bleak debut.
By Aimee Knight
Was creator Richard O’Brien on the money when describing his other box office flop?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
