A smorgasbord of international cinematic treasures was on offer at this year's festival.
Brie Larson directs and stars in this free-spirited indie comedy about a woman in pursuit of a pet unicorn.
A small Romani community is the setting for Jonas Carpignano’s tender coming-of-age story.
Matchbox Cineclub have programmed a weekend of strange and unseen cinema from around the world.
You know the songs, but is there more to this seemingly innocent high school musical than meets the eye?
Seek out these inspirations for Guillermo del Toro’s latest, including The Red Shoes and Creature from the Black Lagoon.
The actor is at his intense and emotional best in Martin Scorsese’s underrated late ’90s thriller.
There’s more to his larger-than-life turn than meets the eye.
A key death in Steven Spielberg’s 1997 sequel completely altered my perception of cinema.
Some major young acting talent is put to waste in Christopher Smith’s garbled and derivative neo-noir.
Rooney Mara is let down by weak scripting in this underpowered study of religious persecution in Ireland.
The electro pop pioneer opens up his home and his studio in this intimate if uneven documentary profile.
There’s plenty to admire about this nifty, twisty Welsh-language thriller from director Euros Lyn.
Cara Delevingne and Will Poulter star in this bland bohemian coming-of-ager from Chris Foggin.
Despite Melissa McCarthy’s best efforts this loose capitalist satire is a comically bankrupt affair.
There’s a touch of Thomas Vinterberg about this impressive Aussie debut from Simon Stone.
From the story of an easily seduced movie sub-titler to an innovative study of exhuming the dead through acting.
Olmo and the Seagull deserves its comparison to Rosemary’s Baby, despite being a very different beast.
This ultra-violent FPS inspired actioner is about as fun as watching someone else play a video game.
The release of Jem and the Holograms reminded us of these great fictional female groups.
A nifty, inventive horror film which sadly comes up a little short when it comes to cold, hard scares.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
