By Matt Turner
Steven Eastwood’s Island follows four terminally ill people across the final year of their lives.
By Matt Turner
This year’s Sheffield Doc/Fest featured three profound tales of sporting triumph and tragedy.
By Matt Turner
Whether cheap trick or clever gimmick, the use of stereoscopic techniques has constantly pushed the boundaries of the medium.
By Matt Turner
Three outstanding new films at this year’s CPH:DOX presented illuminating responses to this question.
By Matt Turner
Documentarian Greg Barker gains unprecedented access to Barack Obama’s administration during his farewell tour.
By Matt Turner
This affectionate documentary chronicles the life and work of renowned primatologist Jane Goodall.
By Matt Turner
Rare works from Satoshi Kon and Osamu Tezuka were presented at this year’s festival.
By Matt Turner
The Finals Girls showcases exciting female voices in genre cinema.
By Matt Turner
This real-life Treasure of the Sierra Madre follows avid gold seekers on a strange literary adventure.
By Matt Turner
Good Manners and Once it Was Brasilia were among the highlights of this year’s festival.
By Matt Turner
London’s annual celebration of Arab culture once again offers a window into an unseen world.
By Matt Turner
At Sheffield Doc/Fest a trio of films reveal the horror and hope at the heart of the conflict.
By Matt Turner
A key inspiration for Beyoncé’s Lemonade, this afrofuturist 1991 drama is a milestone in American cinema.
By Matt Turner
Deborah Stratman’s hour-long documentary The Illinois Parables explores the connection between religion and national identity.
By Matt Turner
Matthew Barney’s The Cremaster Cycle makes for a uniquely strange and self-indulgent viewing experience.
By Matt Turner
This year’s festival boasted ground-breaking cinematic experiments which offered reflections on our digital age.
By Matt Turner
Eduardo Williams’ intoxicating debut feature The Human Surge ponders just that.
By Matt Turner
The recent Edge of Frame Weekender showcased bold contemporary visions and rarely seen masterpieces.
By Matt Turner
This year’s LKFF offered a refreshing counterpoint to the masculine narratives that continue to dominate Korean cinema.
By Matt Turner
Filmmakers from across the region are challenging perceptions through intimate, personal storytelling.
By Matt Turner
The third annual SAFAR festival in London once again boasts a programme full of surprises.
By Matt Turner
Documentary filmmakers Betzabé García and Tatiana Huezo are giving a voice to victims of violent abuse.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
