Emma Stone and Jonah Hill sign up for a mind-bending drug trial in Cary Fukunaga’s immersive miniseries.
Season two sets us up for a deeper understanding of the show’s characters and their group dynamic.
The feature-length finale gave fans, the characters and the Wachowskis the closure they all deserved.
The Fleabag and Killing Eve series creator is putting complex, dangerous, relatable women on screen.
The situation hasn’t improved for Elisabeth Moss’ Offred in this gripping season opener.
Donald Glover’s hit show returns with another steady mix of satire, dark comedy and cultural narratives.
Charlie Brooker’s latest collection of sci-fi horrors does not disappoint.
This episode from Season 4 offers a quietly chilling near-future vision of an over-protective society.
Nola Darling is reborn in this vital update of Spike Lee’s 1986 film.
This premiere episode sets up more mysterious goings on – but don’t expect any easy answers from the second season.
The show’s long-awaited return is an opportunity to more accurately represent the lesbian community.
Pamela Adlon’s hit show belongs to an exciting new genre of female-driven storytelling.
Ilana and Abbi are back to remind us that women are at their strongest when they pull together.
Through his cast of complex misfits, the series creator tackles existential themes in a manner unlike any other sitcom or cartoon.
Netflix’s new show emphasises just how deep gender stereotypes run in mainstream media.
Millennial attitudes have shifted since the show first aired in 2012, but its core values have endured.
The hit HBO show focuses on the emotional realities of three mothers.
The 1977 series and its remake show that while the world may have changed, the fight is far from over.
Television is now more direct, factual and unabashed than ever in its reflection of our toxic social climate.
Kaitlin Olson’s walking catastrophe is a welcome shock to the sitcom system.
The episode brilliantly brings the true spirit of the holiday season to life.
This year’s holiday special provides the perfect blend of humour and horror.
From Fleabag to Transparent, the year’s best television has been dominated by incredible women.
Orange is the New Black and Girls are rare examples of shows which seek to normalise diverse body types.
In an age of instant gratification, crime dramas like The Fall and The Night Of are favouring a steadier pace.
Sharon Horgan’s brave, brilliant new show offers an authentic warts and all look at a failed marriage.
TV’s most thought-provoking social satire is back with a softer vision of a bleak future.
In Jill Soloway’s hit show, women’s emotional outbursts are crucially not stigmatised as “hysterical”.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
