By Tom Seymour
Paulo Sorrentino and Sean Penn unite for a dark road movie handled with lightness and ease.
By Tom Seymour
British cinema isn’t good at being cool, but Submarine has bucked that trend; defiantly so.
By Tom Seymour
The screen may glow in Joseph Kosinski’s sci-fi spectacle, but the soul lies cold.
By Tom Seymour
In the truth it finds, Catfish is a sad and troubling film that avoids cynicism.
By Tom Seymour
Why are Tinseltown’s depictions of this atrocity so often reduced to little more than failing memories?
By Tom Seymour
A big-budget 3D remake of a classic and popular spectacle film starring the guy from Avatar.
By Tom Seymour
Ti West’s period chiller is a modern horror film that feels at once nostalgically hackneyed and invigoratingly fresh.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
