Lars von Trier’s two-part psychosexual epic makes for invigorating, profound and occasionally baffling viewing.
There’s something powerful here, but von Trier hasn’t quite managed to force it through the screen.
By Alan Mack
Lars von Trier’s latest is light, frothy and bitingly funny with a pleasingly dark underside.
Lars von Trier’s latest is an exercise in claustrophobic filmmaking, rife with symbolism and an unstoppable momentum.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
