Carey Mulligan plays a lovelorn 1960s housewife in the actor’s impressive directorial debut.
Did their scathing reviews of the hit musical costs these revered female film critics their jobs?
Brie Larson’s directorial debut and a special focus on American female filmmakers are among the highlights of the 72nd EIFF.
By Matt Thrift
It took the best part of a decade to bring Zama to the big screen. Its writer/director tells us about her epic journey.
The Danish writer/director promises to take us on a tour of LA’s dark criminal underbelly.
As demand for more traditional movie artwork increases, we chart the history of hand-drawn posters.
By Jamie Mackay
Paolo Sorrentino’s portrait of Silvio Berlusconi asks us to sympathise with the devil.
By Anton Bitel
David Cronenberg’s 1999 tech-thriller sees Jude Law and Jennifer Jason Leigh enter a strange VR world.
By Alex Flood
Is Indy’s fourth outing really as bad as everyone remembers?
Films about Betty Davis, Ryuichi Sakamoto and Milford Graves were among the highlights of the 15th edition of IndieLisboa.
The 2018 Cannes Film Festival saved the best for last with Nuri Bilge Ceylan's sublime literary opus.
By Lydia Figes
Female-driven comedies such as The Marvellous Mrs Maisel and Funny Cow are challenging archaic notions about women on screen.
A thriller set in the 1970s world of Parisian porn tries to intellectualise its seedy story, but misses the mark.
This monumental new work from South Korean director Lee Chang-dong was well worth the eight-year wait.
Nadine Labaki’s Lebanon-set fable reveals the everyday heartbreak of child poverty.
Matteo Garrone returns to the crime-stained streets of southern Italy for his latest social realist parable.
This delightful Japanese anime is one of the highlights of this year’s Directors’ Fortnight programme.
Kevin Macdonald offers a rich and revealing glance back at the life of troubled pop sensation Whitney Houston.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
