Features

The Fourth Estate – first look review

By Marshall Shaffer

Liz Garbus’ compelling documentary details The New York Times’ coverage of Donald Trump’s first year in office.

The Man Who Killed Don Quixote may not screen at Cannes after all…

By Adam Woodward

Legal action could prevent Terry Gilliam’s passion project from premiering at the festival next month.

Re-examining the challenging eroticism of In the Cut

By Justine Smith

Jane Campion’s much maligned 2003 thriller offers a vital subversion of the male gaze.

The year revolution brought the Cannes Film Festival to a halt

By Justine Smith

The events of May ’68 had a profound impact on the film world.

Are superhero movies killing traditional screen acting?

By Manuela Lazic

As tentpole blockbusters expand and evolve, actors are having to flex their performance muscles in different ways.

The Handmaid’s Tale Season Two gets off to a harrowing start

By Roxanne Sancto

The situation hasn’t improved for Elisabeth Moss’ Offred in this gripping season opener.

VICE and Panasonic Lumix’s new film school champions the art of factual cinema

By Little White Lies

The virtual film school supports the next generation of documentarians.

A new film exposes the shocking cyber harassment faced by women

By Ed Gibbs

Cynthia Lowen’s intimate doc Netizens follows three victims of online abuse as they look to take back control.

The 2018 Edinburgh International Film Festival announces its opening film

By David Jenkins

Kelly Macdonald headlines the bittersweet Puzzle, a film about competitive jigsaw making.

Jessie Buckley: ‘The intimacy that you create on set is crucial’

By Hannah Woodhead

A star-making turn in Beast is set to launch Irish actor Jessie Buckley into the stratosphere.

Discover the hypnotic mystery of this nihilistic thriller

By Anton Bitel

An entrancing existential streak runs through Kiyoshi Kurosawa’s 1997 film, Cure.

The road to Infinity is paved with good storytelling

By Callum Costello

How Marvel Studios wedded creativity and economy to reshape the blockbuster landscape.

The serene, sophisticated beauty of Claire Denis’ Chocolat

By Sophie Monks Kaufman

The French writer/director’s debut feature from 1988 is an elegant, perfectly poised character study.

How A Taste of Honey put a female spin on the British New Wave

By Stephen Puddicombe

Shelagh Delaney’s voice stood out from the angry young men who dominated British cinema in the mid 20th century.

How subtitles change the way we watch movies

By Joel Blackledge

Regardless of how filmmakers like Wes Anderson use translation, the boundaries between languages are not as fixed as they seem.

The Columbine massacre still echoes through cinema

By Justine Smith

As a school shooting survivor, films like Elephant and Polytechnique have a special resonance for me.

The Man Who Killed Don Quixote will close the 71st Cannes Film Festival

By Adam Woodward

Terry Gilliam’s epic passion project is set to receive its world premiere on 19 May.

Grease at 40: A first-time look at a pop culture classic

By Josh Slater-Williams

You know the songs, but is there more to this seemingly innocent high school musical than meets the eye?

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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