To celebrate the release of You Were Never Really Here, we’ve put together a handy primer of the director’s short and feature work.
By Anton Bitel
Some of the year’s best and most challenging genre titles were served up over a truly chilling weekend.
To celebrate the release of Sweet Country, seek out these amazing works directed by and starring native Australians.
Our latest print edition offers an exciting look inside Wes Anderson’s stop-motion opus.
By Tom Williams
Lynne Ramsay’s masterful second feature from 2002 offers a visceral depiction of grief and longing.
The You Were Never Really director talks framing violence and working with Joaquin Phoenix and Jonny Greenwood.
It’s hammer time for the famously intense leading man ahead of his starring role in You Were Never Really Here.
By Sam May
This 1973 pulp classic sees Elliott Gould’s Philip Marlowe navigate LA’s seedy underbelly.
By Thomas Hobbs
How Abel Ferrara’s brutal 1990 gangster flick captured the imagination of the hip hop community.
By Luís Azevedo
To celebrate its 20th anniversary, we take a closer look at the Coen brothers’ cuss-filled classic.
Conductors and longtime friends Hugh Brunt and Robert Ames reveal how they helped bring Jonny Greenwood’s mesmerising score to life.
By Anton Bitel
The French director’s 1968 La Prisonnière aka Woman in Chains is both compelling and perverse.
The world was watching a little more closely last night as the first post-Weinstein Academy Awards took place.
By Brian Brems
What does it mean to be an American who loves Martin Scorsese’s Taxi Driver but hates gun violence?
By Emma Fraser
This breakfast staple features in five out of the nine Best Picture nominees at the 90th Academy Awards.
Donald Glover’s hit show returns with another steady mix of satire, dark comedy and cultural narratives.
The film’s glamorisation of vigilante justice resonated with an increasingly paranoid audience in 1974.
Karen Gillan tries her hand at writing and directing in this fiery but formulaic character study.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
