By Adam Scovell
Themes of memory and death lie at the heart of Terry Gilliam’s dystopian time travel saga.
The Italian-Canadian filmmaker on the making of his heavy metal psycho-horror, Mandy, and working his one of his acting heroes.
Brad Pitt is set to reprise his role in the long-awaited follow-up to 2013’s apocalyptic zombie horror.
By Adam Scovell
Carol Reed’s 1948 classic captures the transition to adulthood in all its contradictions and hypocrisies.
By Paul Weedon
Guitarist Stuart Braithwaite reflects on the band’s latest original score for the sci-fi action movie Kin.
By Anton Bitel
On the envelope-pushing effects work of Sam Raimi’s hand-tooled gorefest, set for re-release this Halloween.
Richard Linklater’s seminal high school movie is the ultimate endorsement of living in the moment.
By Anton Bitel
Ted Post’s 1973 film The Baby takes the notion of the dysfunctional family to a whole other level.
By Adam Scovell
The director’s tale of twin gynecologists is a gory study of the relationship between the physical and mental self.
By Mark Allison
The film’s radical approach to violence and gender politics was perfectly pitched for the counter-culture generation.
Emma Stone and Jonah Hill sign up for a mind-bending drug trial in Cary Fukunaga’s immersive miniseries.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
