By Elena Lazic
Adina Pintilie’s Golden Bear winner comprises superficial images of unsimulated sex and people with disabilities.
By Naomi Wong
The director of Training Day and The Equaliser is back in the running to update the Brian De Palma classic.
Alex Proyas’ homage to classic tech-noirs like Blade Runner, Brazil and Akira was released 20 years ago.
The Chilean star of Sebastián Lelio’s A Fantastic Woman offers her take on the film’s powerful message.
The wild and crazy cinema of Larry Cohen receives the in-depth documentary treatment that this master director deserves.
Read an exclusive extract of a long-lost conversation between these innovative French filmmakers.
Documentarian Lauren Greenfield speaks to the wealthy and the weary in this bold, personal meditation on money and obsession.
By David Opie
Not all heroes wear capes, but the pint-sized protagonists of Likarion Wainaina’s debut feature certainly do.
By Ian Mantgani
Josephine Decker returns with a commanding, emotionally bracing study of teenage psychosis.
Gus Van Sant reunites with Joaquin Phoenix for an oddball comedy-drama about disability and addiction.
By Matt Thrift
Steven Soderbergh’s unconventional iPhone movie is one of his strangest offerings to date.
By Joel Down
The real-life filming location is being opened to the public for a one-off “wilderness experience”.
A teenage girl on the cusp of adulthood begins to question what she wants out of life in this surprisingly nuanced Austrian drama.
Esteemed Norwegian director Erik Poppe dramatises the real-life mass shooting on the island of Utoya in this problematic thriller.
By Anton Bitel
Made over 17 years, this unlikely series is among the indie writer/director’s finest achievements.
A sensitive portrait of a hesitant woman attempting to rediscover her lust for life makes for an assured feature debut from Marcelo Martinessi.
By Anton Bitel
John Grissmer’s Scalpel, about a psychopathic plastic surgeon, has been rescued from VHS obscurity.
A love affair between Isabelle Huppert and Gaspard Ulliel fails to ignite a spark in this predictable psychodrama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
