From his studio in Dublin, the American animator rivalled Disney during the 1980s and early ’90s.
The trailer for Beirut, starring Jon Hamm, contains all the usual anachronisms and inaccuracies.
By Anna Cafolla
Lisa McGee’s candid sitcom is a welcome antidote to the usual portrayals of Northern Ireland.
By Matt Thrift
The legendary British director of Deliverance, Excalibur and Zardoz looks back over his extraordinary career.
The co-director of Toy Story 2 and 3, Finding Nemo and Coco reflects on his two decades at the animation studio.
Leon Gast’s award-winning 1996 film portrays the heavyweight champ as an artist, philosopher and poet.
By Giacomo Lee
Patlabor 2 and other classic-era sci-fi show the past, present and future of Japan’s capital.
The actor issued a rallying cry at a press conference for The Post.
By Emily Bray
To the kids with the “coolest jobs on earth”, being yourself is all that really matters.
By Nathan Smith
Ten years ago, Matt Reeves’ secret monster movie ushered in a new era of fan-driven movie publicity.
There’s a fascinating backstory to the Swedish master’s little-seen 1950 thriller This Can’t Happen Here.
Dive into our latest print edition and explore the magical world of director Guillermo del Toro.
It’s not just the words themselves that make Mildred Hayes’ message so impactful, but how they’re written.
The British writer/director extols the many virtues of the star of his new film, Three Billboards Outside Ebbing, Missouri.
This hit musical, released 60 years ago, remains the pinnacle of the American singer’s film career.
By Simon Bland
The actor reveals how his long-time friend and co-star stayed in character throughout the making of The Disaster Artist.
By Anton Bitel
The Italian director’s 1971 giallo shows a visionary film artist still finding his feet.
The actor is at his intense and emotional best in Martin Scorsese’s underrated late ’90s thriller.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
