The Good Time directors reveal the secret to capturing the essence of their home town on screen.
By Joe Boden
David Milch’s seminal western series is set for a big screen revival in 2018.
Shortform cinema to thrill and inspire, as chosen by LWLies and Staffordshire University.
By Anton Bitel
Black Christmas contains one of the earliest examples of the ‘final girl’ trope in horror cinema.
By Matt Thrift
The alchemist behind Fight Club and Zodiac discusses his newest true crime saga, the Netflix Original series MINDHUNTER.
Todd Haynes’ 1995 film stars Julianne Moore as a woman who becomes “allergic to the 20th century”.
By Colin Biggs
Three films into the DCEU, the time to introduce a darker Man of Steel may have already passed.
The director of The Florida Project is quietly redefining concepts of movie magic and what it means to be a star.
The larger-than-life catchphrase machine epitomised the hyper-masculinity of ’80s action cinema.
By Ella Donald
The Netflix adaptation is characterised by the competing visions of writer Sarah Polley and director Mary Harron.
Our latest print issue offers a sweary salute to Martin McDonagh’s sensational latest.
Our latest creative brief is inspired by the Almeida Theatre’s upcoming play.
Two decades on, Paul Verhoeven’s ambiguous militaristic sci-fi is in need of a reappraisal.
Filmmakers like Sean Baker are using every corner of the frame to shine a light on marginalised people.
By Jake Hall
The success of recent crowd-funded projects such as Roommate points to a growing awareness of LGBTQ+ issues.
By Matt Turner
Rare works from Satoshi Kon and Osamu Tezuka were presented at this year’s festival.
‘A Dance With Fred Astaire’ sees the critic, filmmaker and social gadfly open up his personal archives.
Are the made-to-stream dominoes starting to fall?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
