By Beth Webb
The Welsh-Zambian director discusses her impressive debut feature I Am Not a Witch.
New films that deal with the relationship between men and women in interesting ways.
The director of Bone Tomahawk and Brawl in Cell Block 99 on his distinct approach to genre filmmaking.
Montreal’s Festival du Nouveau Cinéma presented erotic tales from around the world this year.
Lost classics are restored and repackaged with deluxe online editions.
By Ian Schultz
Steve De Jarnatt’s cult ’80s sci-fi is a harrowing depiction of nuclear war.
By Adam Scovell
How the director’s mastery of space and location created the famous crop-duster sequence.
With Young Frankenstein now a major stage show, we reflect on the career of a living legend of comedy.
By Alex King
Greece’s Anima Syros festival provided a platform for a bright new generation of women animators.
Paddy Considine’s second feature as director is powered by a clutch of big, bold and unabashedly emotional performances.
By Elena Lazic
The writer/director of The Meyerowitz Stories reveals how he mixes the comic with the tragic.
We pay homage to director Clive Barker’s majestic suburban gore aria from 1987.
By Nathan Smith
Like Philip K Dick’s replicants, Kurt Russell’s steely-eyed space marine asks what it means to be human.
Rian Johnson’s eighth instalment of the world’s biggest movie franchise is almost upon us. And it looks like another good one…
By Anton Bitel
Joe Dante’s The Howling is a perfect blend of modern horror and practical effects.
How physical and digital media should learn to stop worrying and live happily side by side.
By Sean L Malin
The queer film icon reflects on her pioneering career ahead of a new retrospective of her work.
By Leigh Clark
Does Madonna’s iconic pyramid jacket contain a hidden message?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
