By Matt Turner
Good Manners and Once it Was Brasilia were among the highlights of this year’s festival.
Racy retro artwork from cinema’s most provocative era.
By Matt Thrift
The American director discusses his long-awaited return to feature filmmaking with Logan Lucky.
Mumbai-based director Shubhashish Bhutiani tells the story behind his low-budget debut, Hotel Salvation.
The French master’s work mirrors today’s climate of social anxiety, as revealed in a recent retrospective.
We watch and rank the greatest canine/sports movie series in American cinema history.
The latest from In Bruges writer/director Martin McDonagh will cap off the 61st LFF.
David Lynch has dropped another seemingly crucial reference to Fire Walk with Me.
By Anton Bitel
JS Cardone’s The Slayer also centres around a vindictive bogeyman.
By Mark Allison
Is Daniel Craig’s second Bond outing really the worst of the entire series?
In a prolific career spanning four decades, it’s still Jules Winnfield who stands tallest.
Kathryn Bigelow’s new film is part of a larger, ongoing cultural problem.
Two prizewinning films at the 2017 Locarno Film Festival – Mrs Fang and 3/4 – attempt to do just that.
What is the role of documentaries that try to change the way we think, and do they actually work?
The Swedish master’s 1957 film is a deceptively accessible arthouse staple.
David Lynch’s obsession with the classic MGM musical has come to the fore again.
The Meyerowitz Stories (New and Selected) is the latest NY-set ensemble comedy from the director of Frances Ha.
By Sarah Jilani
A look at how cinema has separated the human stories from this major historical event.