Elisabeth Moss is on showstopping form as a self-destructive punk singer in Alex Ross Perry’s manic mediation on fame.
Chloë Grace Moretz and Isabelle Huppert star in this darkly comic thriller from director Neil Jordan.
Jonah Hill’s directorial debut is a moving portrayal of adolescent isolation set within Los Angeles’ ’90s skating scene.
Melissa McCarthy proves her dramatic chops as a literary forger in Marielle Heller’s follow-up to The Diary of a Teenage Girl.
Steve McQueen turns his formidable filmmaking talent to the heist genre with impressive and passionate results.
Jamie Lee Curtis faces her old adversary once again in David Gordon Green’s thrilling John Carpenter-approved sequel.
Hugh Jackman makes headlines for all the wrong reasons in Jason Reitman’s biopic of would-be president Gary Hart.
Peter Strickland spins a yarn about a very literal phantom thread in his most audacious and bizarre film to date.
Timothée Chalamet delivers a heartbreaking turn as a meth addict struggling with relapse and rehabilitation.
Her role as lovestruck sex worker Alabama is among the most compelling characters of the 1990s.
Newcomer Richie Merritt outshines co-star Matthew McConaughey in this gritty crime drama about a real-life teenage FBI informant.
By Ella Kemp
A mature central performance from Lucas Hedges anchors Joel Edgerton’s gay conversion therapy drama.
The American Animals director discusses his unconventional approach to putting true stories on screen.
Joaquin Phoenix and John C Reilly play gunslinging siblings in Jacques Audiard’s warm-hearted western adventure.
By Elena Lazic
Director Thomas Vinterberg and a formidable cast recreate the final hours of a real-life nuclear submarine.
The Irish rising star talks American Animals, shoplifting and how playing a certain type of character can lead to having weird dreams on set.
Acclaimed documentary maker Errol Morris seeks answers from Trump’s former fire fighter-in-chief, Steve Bannon.
The US film and television actor discusses playing a conversion therapy pastor in Desiree Akhavan’s The Miseducation of Cameron Post.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
