By Mark Allison
Stories of combat and derring-do were once common on our screens. What does their decline reveal about our national identity?
In Part 10, a callback to Fire Walk with Me provides one of the show’s most surprising moments.
The director’s work has long echoed the underlying anxiety felt in his homeland.
By Tom Williams
This moody monochrome thriller from 1998 is an immaculately crafted tale of crime and obsession.
This new video essay by Luís Azevedo explores one of the director’s major obsessions.
By Matt Thrift
The horror maestro reflects on his unique and remarkable career in this previously unpublished interview.
By Josh Howey
The director of Selma and 13th returns with a stunning-looking kiddie adventure.
Three decades on from its release, just how accurate was Paul Verhoeven’s classic dystopian sci-fi?
She offers a fresh and frightening take on the comic book villain in this underrated genre classic.
The Hong Kong master’s 1997 film is a deeply affecting portrait of a failing relationship.
By Lena Hanafy
These films show the different ways women joined the war effort, often away from the home front.
The director’s atmospheric 2002 film makes the most of its remote setting.
By Sam Bowles
He’s never been better than in Michael Mann’s historical epic.
The Dunkirk director reveals the challenges of transforming documented reality into an experience fit for the multiplex.
By Adam White
From Small Soldiers to her collaborations with Sofia Coppola, a generation of moviegoers have grown up alongside the American star.
By Josh Howey
He’s already written a script based on the notorious true crime.
By Josh Howey
The Moonlight writer/director is set to helm the Harlem love story If Beale Street Could Talk.
In Part 9, Twin Peaks’ resident bad boy finally appears to have come good.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
