Gary Oldman delivers a sensational turn in this biopic of the late playwright Joe Orton.
By Matt Turner
At Sheffield Doc/Fest a trio of films reveal the horror and hope at the heart of the conflict.
By Nadia Latif
A recent conference highlighted the urgent need to promote diversity across the UK industry.
Viewed today, Edgar Wright’s comic satire of small town English attitudes feels scarily prescient.
Alison Brie and Michael Stuhlbarg join upcoming drama The Papers.
‘Sofia Songs’ is released by Super Fan 99 Records to coincide with the release of The Beguiled.
With Dale Cooper’s situation becoming clearer, our attentions turn to Phillip Jeffries and an unexpected trip to South America.
As the likes of Berlin Syndrome and Sin Nombre show, sometimes staying put really is the better option.
Doug Liman’s latest plays the slick, sliver-tongued chancer story for laughs.
The renowned American comic artist discusses the latest adaptation of his work.
By Elena Lazic
Despite accusations of misogyny, Sam Peckinpah’s domestic thriller is a feminist film in disguise.
London Symphony is a collage of scenes capturing the richness and poetry of life in the British capital.
Barry Levinson’s rapid-fire dialogue and use of popular music set the blueprint for Tarantino’s style.
By Alex Hess
The release of Con Air and Face/Off 20 summers ago marked a high-point in mainstream cinema.
By Elena Lazic
This immersive motion picture technology promises to put viewers ‘in the movie’ – but is it any good?
Author and director Jon Spira discusses the lost joys of the local video rental store.
By Amy Bowker
The animation house has unveiled plans to build a theme park on the Aichi expo site.
The screenwriter behind this Oscar-nominated animation talks through the intricacies of her working process.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
