The writer/director tells us how she toyed with gender politics and screen hunks for her new film, The Beguiled.
By Amy Bowker
Ava DuVernay will direct the social media-inspired project for Netflix.
The late actor was at his debonair best as James Bond in series highlight The Spy Who Loved Me.
The cinematic king of the undead is putting his creations behind the wheel for his next project.
Another day, another delicate, insightful gem from Korean director Hong Sang-soo.
A nasty case of dramatic inertia blights Yorgos Lanthimos’ latest black comedy.
Is this mysterious device Agent Cooper’s ticket into the real world?
Life’s a beach as we take a deep dive into Christopher Nolan’s wartime suspense saga.
This delicate parting shot from the great Abbas Kiarostami is a wistful contemplation on the nature of the moving image.
By Amy Bowker
Martin Scorsese will exec produce the ambitious two-part mystery romance The Souvenir.
By Amy Bowker
She’s producing and starring in the biographical romance Seducing Ingrid Bergman.
A shot of pure cinematic joy from Tangerine director Sean Baker – and a big highlight of the 2017 Cannes Film Festival.
The Japanese animator will bow out with Boro the Caterpillar, a passion project 20 years in the making.
By Anton Bitel
“Sonny” Chiba-starring Japanese genre hybrid Wolf Guy is now available on home video.
By Matt Hoffman
Kristen Stewart presents her visually arresting directorial debut at the 2017 Cannes Film Festival.
Adam Sandler delivers one of his rare affecting turns as one of the co-leads in Noah Baumbach’s family comedy.
The new film by Michael Haneke is not happy and doesn’t have an ending. Other than that, it’s harrowing business as usual.
A light but ultimately unnecessary recreation of Jean-Luc Godard’s late ’60s from director Michel Hazanavicius.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
