Features

The camp, satirical aesthetic of queer classic But I’m a Cheerleader

By Megan Wallace

Jamie Babbit’s film offers a more comedic critique of conversion therapy.

Why the gay conversion therapy drama is having a moment

By Jonathan Mahon-Heap

The Miseducation of Cameron Post and Boy Erased find different ways to confront this harmful practice.

Vox Lux – first look review

By Greg Wetherall

Natalie Portman plays a jaded pop star in director Brady Corbet’s cynical meditation on the price of fame.

It’s time to discover FilmStruck

By Little White Lies

A new premium streaming service is here to satisfy all your movie needs.

The Mountain – first look review

By Michael Leader

Jeff Goldblum plays against type to unsettling effect in this zany road movie from writer/director Rick Alverson.

Dragged Across Concrete – first look review

By Ed Gibbs

Director S Craig Zahler follows up Brawl in Cell Block 99 with another hefty dose of ultra-violence.

Suspiria – first look review

By Adam Woodward

Dakota Johnson dances to an unfamiliar beat in Luca Guadagnino’s surprisingly naff horror remake.

Peterloo – first look review

By Adam Woodward

Mike Leigh recruits a top-notch ensemble for this faithful reenactment of the Peterloo Massacre.

20 Under-the-radar treats for the 2018 London Film Festival

By David Jenkins

Stumped on what to book for this year’s festival? LWLies are on hand to help out.

Dawn of the Dead had an alternate ending that’s even bleaker than the original

By Justine Smith

George A Romero originally had a different fate in store for the protagonists of his zombie classic.

The Ballad of Buster Scruggs – first look review

By Adam Woodward

The Coen brothers are up to their old tricks in this colourful, darkly comic anthology western.

A Star is Born – first look review

By Adam Woodward

Bradley Cooper and Lady Gaga hit all the right notes in this update of the classic Hollywood musical.

Doubles Vies – first look review

By Tom Bond

Juliette Binoche and Guillaume Canet ponder middle-age and the changing facing of book publishing in Olivier Assayas’ intellectual drama.

The Favourite – first look review

By Adam Woodward

Emma Stone and Rachel Weisz vie for Olivia Colman’s affections in this erotic 18th century romp from Yorgos Lanthimos.

Roma – first look review

By David Jenkins

Alfonso Cuarón delivers his masterpiece with this stunning social fresco centred on a house maid in 1970s Mexico City.

The 2018 BFI London Film Festival line-up has been announced

By Little White Lies

Big names, hidden gems and arthouse favourites head to the capital this October.

First Man – first look review

By Adam Woodward

Damien Chazelle’s technically accomplished Moon landing drama, starring Ryan Gosling and Claire Foy, fails to achieve lift off.

A Hitchcock classic screening in 3D

By David Jenkins

MUBI and LWLies present Hitchcock’s sublime chiller, Dial M for Murder, at London’s Rio Cinema.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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