By Amy Bowker
The pair recreate a memorable sporting occasion which had huge significance off the court.
A warring couple reunite to find their missing son in this blunt drama from Leviathan director Andrei Zvyagintsev.
By Amy Bowker
The Safdie Brothers are back with a hypnotic-looking New York crime drama.
A bizarre choice of opening film for the 2017 Cannes Film Festival, but also an invigorating and impulsive one too.
A recent retrospective at the IndieLisboa Film Festival highlighted the need for socially-conscious filmmaking.
By Anton Bitel
Sidney J Furie’s The Entity is deeply disturbing but essential viewing.
By Matt Turner
Deborah Stratman’s hour-long documentary The Illinois Parables explores the connection between religion and national identity.
Why have mid-budget films all-but disappeared from today’s cinematic landscape?
By Anton Bitel
Jason Blum, producer of The Purge, Insidious and Get Out, offers valuable insight into low-budget movie making.
Peter Watkins’ incendiary pseudo-doc Punishment Park feels as vital today as it did back in 1971.
By Amy Bowker
The celebrated Quebecois director is back with The Death and Life of John F Donovan.
By Amy Bowker
The Radiohead frontman will provide music for Luca Guadagnino’s upcoming re-imagining of Dario Argento’s cult classic.
The veteran screen star talks Jawbone, bad superhero movies and how ‘tough guy’ acting has evolved.
By Amy Bowker
Watch Ryan Reynolds and Samuel L Jackson wreak havoc in this action-comedy caper.
By Amy Bowker
Filming will begin within ‘the next 14 months’ according to the director.
By Greg Evans
The tragicomic tale of Frank Grimes from 1997 contains a sharply-observed social critique.
Twenty years on, Luc Besson’s neon-hued space opera has lost none of its off-kilter charm.
By Thomas Hobbs
The revelation that Lambert is a transwoman transforms what we know about Ridley Scott’s sci-fi horror.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
