By Elena Lazic
Annie Clark makes her directorial debut in this convention-flipping collection of shorts.
Claude Barras’ stop-motion gem is being released in both subtitled and dubbed versions.
David Lowery’s haunting drama is among the highlights of this year’s programme.
By Tim Cooke
Encounters at the End of the World features one of the great existential moments in modern cinema.
Eggsy is back with a shotgun-wielding Channing Tatum in-tow in Matthew Vaughn’s spy-spoofing sequel.
A pilgrimage to the sleepy American setting of David Lynch and Mark Frost’s iconic show.
Federico Fellini’s third feature, about a petit female clown and her strongman sidekick, gets a 2K spit-shine.
The director’s much-maligned second feature is a vigorous piece of pulp for the 21st century.
On the life and work of the ethereal vocalist who helped bring David Lynch’s iconic show to life.
By Eve Watling
Seek out these great musical portraits, featuring David Bowie, Lil Wayne and Leonard Cohen.
What is it that makes maverick character actors like Jack Nicholson so dangerously irresistible?
By Neil Young
The director chats Gray House and reveals why he’s keen to distance himself from his illustrious kin.
By Anton Bitel
Directors Justin Benson and Aaron Moorhead serve up a meta meditation on cults in this smart genre-blurring thriller.
Juho Kousmanen, director of The Happiest Day in the Life of Olli Mäki, extols the virtues of celluloid.
By Eve Watling
You don’t have to be mad on organised physical activity to enjoy these films.
By Eve Watling
Will Smith is reportedly in talks to take over from Robin Williams in the iconic role.
The 2017 Directors’ Fortnight line-up is even more tantalising than the main Competition.
The British leading lady discusses her role in the delightful Blitz-era comedy-drama, Their Finest.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
