Features

Watch the bone-chilling first trailer for It Comes at Night

By Little White Lies

The new film from Krisha director Trey Edward Shults looks scary as hell.

Darren Aronofsky has a new movie coming out this year

By Rebecca Dykstra

The director’s upcoming relationship drama, Mother, stars Jennifer Lawrence and Michelle Pfeiffer.

Kristen Stewart feels a ghostly presence in the new Personal Shopper trailer

By Little White Lies

She plays a grieving celebrity assistant in Olivier Assayas’ upcoming mystery.

Jack Nicholson is starring in a remake of Toni Erdmann

By Adam Woodward

The Hollywood veteran is coming out of retirement for a new version of Maren Ade’s sublime comedy.

How Millennium Mambo set the blueprint for Moonlight

By Ross McDonnell

Barry Jenkins’ Miami-set coming-of-ager echoes the visual language of Hou Hsiao-hsien’s 2001 film.

In praise of Annette Bening’s difficult women

By Matthew Eng

From Bugsy to American Beauty and now 20th Century Women, the actor has always relished playing characters that ask us to look deeper.

Mike Mills: ‘Filmmaking isn’t therapy for me, I don’t cry on set’

By David Jenkins

The director of 20th Century Women discusses his personalised cine-poem written to his late mother.

The camp comic genius of Batman: The Movie

By Greg Evans

Way before the Dark Knight got serious, he was thwacking bad guys and dismantling bombs in a slapstick ’60s family film.

Elisabeth Moss is starring in Ruben Östlund’s first English-language feature

By Dan Einav

The Square is expected to premiere at the 2017 Cannes Film Festival.

Kristin Scott Thomas set to make directorial debut with The Sea Change

By Dan Einav

She’s adapting Elizabeth Jane Howard’s romantic drama novel.

Stranger Things 2 gets a release date, killer teaser trailer

By Little White Lies

Eleven and co are back for the show’s return hotly-anticipated return.

Discover the sly social critique of this Blaxploitation classic

By Anton Bitel

Is Gilbert Moses’ Willie Dynamite a paean to pimp life or a flamboyant allegory of the American Dream?

How fan theories changed the way we watch movies and TV

By Padraig Cotter

We all love to unpick the mysteries of our favourite films and shows, but has the phenomenon gone too far?

Why Solaris is the greatest science fiction film ever made

By William Carroll

Andrei Tarkovsky’s magnum opus offers a stark, spectacular reminder of what it means to be human.

Is this the Cannes 2017 competition line-up?

By Little White Lies

We predict 20 titles that might just make an appearance at the world’s greatest film festival in May.

How Eraserhead exposed the nightmarish heart of Middle America

By Joel Blackledge

Released 40 years ago, David Lynch’s lo-fi masterpiece is as weird and unsettling as ever.

Is this the most extreme 108 minutes in the history of Japanese cinema?

By Anton Bitel

Destruction Babies is raucous rebel filmmaking at its brutal best.

Dentally challenged – the art of creating false teeth for the movies

By David Jenkins

Hollywood’s go-to false teeth guy, Gary Archer, tells the story behind seven of his finest creations.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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