By Matt Thrift
Some of the strongest emerging voices in world cinema took centre stage at the Polish festival’s 18th edition.
Hugh Gibson’s 2016 documentary is a sensitive and important portrait of addicts in Toronto.
Kim Dong-won’s rare 2003 film Repatriation plays at the 2018 London Korean Film Festival.
The director of Sundance hit Hearts Beat Loud talks about his favourite bands, Stephen Sondheim, and provides an impassioned defence of compilation soundtracks.
We’ve teamed up with the director of Drive and The Neon Demon to bring weird cinema to the masses.
Desiree Akhavan’s sparkling conversion therapy drama graces the cover of our autumn issue.
By Anton Bitel
Umberto Lenzi’s Cannibal Ferox fully deserves its reputation as one of the genre’s toughest watches.
By David Whelan
A new documentary charts the life and career of one of professional sport’s greatest con men.
Barry Jenkins, Damien Chazelle and Yorgos Lanthimos all look like early contenders for major awards.
By James Morton
With the likes of Blue Velvet and Society, the decade saw the American Dream turn into something grotesque.
Their feature-length western will screen in competition alongside new works from Luca Guadagnino, Jennifer Kent and Alfonso Cuarón.
Claire Denis and Barry Jenkins will present their latest work when the festival kicks off on 6 September.
Steven Spielberg’s World War Two drama brought me closer to my grandfather, who survived the D-Day landings.
By Thomas Hobbs
This forgotten 2001 horror set in an abandoned asylum offers a pertinent look at a modern issue.
By Nathan Smith
There’s a sly satiric message at the heart of Joe Dante’s 1998 tale of action figures running amuck.
The writer/director will be hoping to use the festival as a launchpad for next year’s Oscars.
By Emma Fraser
From peak Amy Adams to the return of Matt Groening, these are the series you can’t afford to miss this summer.
By Thomas Curry
The award-winning documentary filmmaker discusses her latest chronicle of capitalist America, Generation Wealth.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
