By Amy Bowker
Francis Lee’s festival darling comes home to be a part of the UK’s oldest film festival.
By Joji Sakurai
The tiny Italian city of Udine once again welcomed the biggest names in the Asian film industry.
By Matt Turner
Matthew Barney’s The Cremaster Cycle makes for a uniquely strange and self-indulgent viewing experience.
By Ed Gibbs
John Lydon’s post-Sex Pistols career is examined in this intimate doc that proves as frustrating as it is fascinating.
David Lowery’s haunting drama is among the highlights of this year’s programme.
By Anton Bitel
Directors Justin Benson and Aaron Moorhead serve up a meta meditation on cults in this smart genre-blurring thriller.
The 2017 Directors’ Fortnight line-up is even more tantalising than the main Competition.
Yorgos Lanthimos, Bong Joon-ho and Sofia Coppola all have films in the main competition.
By Matt Turner
This year’s festival boasted ground-breaking cinematic experiments which offered reflections on our digital age.
Bold expressions of queer passion were on offer at the 31st edition of London’s premier LGBT film festival.
Natalia Orozco’s When the Guns Go Silent gives a voice to both sides of this longstanding conflict.
By Matt Turner
Eduardo Williams’ intoxicating debut feature The Human Surge ponders just that.
Rat Film was one of many challenging documentaries to screen at the 2017 True/False Film Festival.
Terrence Malick dazzles with a metaphysical jukebox musical starring Rooney Mara and Ryan Gosling.
Gulîstan, Land of Roses follows an all-female regiment of Kurdish guerillas as they prepare for war against Daesh.
By Anton Bitel
This latest reboot of Japan’s longest-running movie franchise is big, fun and very dumb.
Álex de la Iglesia’s frisky, single-set survival thriller from Spain loses its steam after an impressive opening act.
A solid docu-homage to the strung-out German synth-proggers and occasional film soundtrackers.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
