Festivals

On the Beach At Night Alone – first look review

By David Jenkins

The wistful latest from Korean maestro Hong Sang-soo is powered by an exceptional lead performance.

Call Me by Your Name – first look review

By David Jenkins

Remember that title, as you’ll be hearing a lot about Luca Guadagnino’s sublime summertime romance.

The Other Side of Hope – first look review

By David Jenkins

Finland’s Aki Kaurismäki lights up the Berlin competition with a typically bittersweet response to the migrant crisis.

The Queen of Spain – first look review

By Adam Lee Davies

Penélope Cruz stars in this frolicsome love letter to Spanish cinema’s golden age from director Fernando Trueba.

The Party – first look review

By Adam Lee Davies

Pseudo-intellectual pontificating abounds in Sally Potter’s brisk middle class comedy.

Somniloquies – first look review

By David Jenkins

The directors of Leviathan return with a breathtaking character study of the world’s foremost sleep talker.

Spoor – first look review

By David Jenkins

Polish director Agnieszka Holland returns with an enigmatic woodland-set murder mystery.

A Fantastic Woman – first look review

By David Jenkins

Sebastián Lelio’s follow up to 2013’s Gloria is a surprisingly inert and cliché-driven portrait of a trans woman.

Final Portrait – first look review

By Adam Lee Davies

Stanley Tucci returns behind the camera for this slight, satisfying chamber drama on the process of artistic creation.

Django – first look review

By Adam Lee Davies

A nimble-fingered movie biopic of the ace guitar picker who entertained the Nazis opens the 2017 Berlinale.

The Dinner – first look review

By Adam Lee Davies

Cinema dictates that movie dinner dates are supposed to go bad. This Berlinale competition entry carries on that tradition.

Wild Mouse – first look review

By David Jenkins

Josef Hader’s mid-life meltdown comedy has just enough madcap laughs for it to pass muster.

Pedro Almodóvar to head up the Jury at the 70th Cannes Film Festival

By Little White Lies

The iconic Spanish filmmaker will serve as President of the main competition jury for the first time.

The Force – first look review

By Ed Gibbs

This timely, well-intentioned doc offers a revealing look at the inner workings of the Oakland PD.

A Ghost Story – first look review

By Ed Gibbs

Casey Affleck and Rooney Mara reunite for David Lowery’s slow-burn meditation on loss and grief.

Manifesto – first look review

By Ed Gibbs

Cate Blanchett goes hell for leather in this unapologetically arty film about art.

Killing Ground – first look review

By Ed Gibbs

There’s shades of Straw Dogs and Deliverance in this effective Aussie backwoods horror.

The Discovery – first look review

By Ed Gibbs

Jason Segel and Rooney Mara are an unlikely central pairing in this low-key sci-fi about the discovery of an afterlife.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design