By Ed Gibbs
Paolo Sorrentino transitions to the small screen (with a Jude Law assist) and comes up trumps.
François Ozon returns with a full-bodied tale of stunted romance and the pained legacy of warfare.
By Ed Gibbs
This Australian chiller about a rash of grisly murders makes a play to be the new Snowtown.
The capital’s biggest and best annual film jamberoo will be rolling into town on 5 October.
The star-spangled tag team of Michael Fassbender and Alicia Vikander can’t save this ludicrous period weepie.
By Anton Bitel
Find out what’s top of the pile in our gore-drenched salute to the horror cinema bonanza.
By Anton Bitel
Are these the creepiest cuts from the dark heart of modern horror cinema?
By Sarah Jilani
Refugee women from beyond the Middle East made their voices heard at this year’s festival.
Pablo Trapero’s The Clan will open the annual celebration of South American cinema.
By Matt Thrift
The Polish festival once again served up the best world cinema has to offer, including a contender for film of the year.
With Hermia & Helena, Matías Piñeiro delivers another refreshingly modern twist on The Bard.
Abe Forsythe’s controversial new film Down Under is ruffling feathers among the Australian establishment.
Agnieszka Smoczynska’s The Lure raises a blood-stained middle finger to the likes of The Little Mermaid and Splash.
The writer/director’s Boston shoot ’em up will have its European premiere at the festival’s 60th edition.
Denzel Washington stars in this western remake, with many other exciting titles announced.
Michelle Carey, Artistic Director of the Melbourne International Film Festival, offers some vital tips to budding programmers.
By Matt Thrift
A David Lynch classic and Pedro Almodóvar’s favourite film are among the highlights of this year’s programme.
By Sophie Yapp
We scour the jam-packed programme for the annual edition of East London’s premiere film jamboree.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
