Olmo and the Seagull deserves its comparison to Rosemary’s Baby, despite being a very different beast.
By Ed Gibbs
This darkly comic factual drama hits all the right notes thanks to inspired turns from Christian Slater and James Franco.
By Ed Gibbs
Katie Holmes puts in a memorable shift as a struggling single mom in her impressive directorial debut.
By Sarah Jilani
Despite facing severe restrictions Iran’s most important filmmakers continue to give its people a voice.
By Adam Chapman
The veteran filmmaker’s Kickstarter-funded Endless Poetry will premiere in the Directors’ Fortnight.
Rachel Tunnard’s impressive debut feature takes a lighter look at the stresses of modern living.
Steven Spielberg, Nicolas Winding Refn and Jim Jarmusch are among those with new films at the 69th Cannes Film Festival.
By Sam Thompson
Ever wanted to start your own film festival? All you need is an empty space and a little community spirit.
Serious question marks remain over the agenda of Andrew Wakefield’s anti-vaccination documentary.
Themes of social displacement and isolation will be explored in the documentary series ‘Frames of Representation’.
Kristen Stewart and Jesse Eisenberg star in the writer/director’s upcoming period romance.
High-Rise, Green Room and a Late Night David Bowie Disco all feature on the LWLies Cinedrome bill.
A sinister internet phenomenon is unpacked in this intensely chilling cautionary tale documentary.
Perfumed Nightmare is the hilarious and shocking story of extreme culture clash in the late 1970s.
A new film, PS Jerusalem, asks some difficult questions about the way we consume stories of socially marginalised people.
Could Pedro Almodòvar, the Dardennes brothers and Nicolas Winding Refn be in contention for the Palme d’Or this year?
By Anton Bitel
Norwegian disaster movie The Wave was among the highlights of Scotland’s annual carnival of genre.
A stunning performance from Cynthia Nixon anchors Terence Davies’ unromantic portrait of reclusive American poet Emily Dickinson.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
