By Grace Banks
The Carthage Film Festival once again proved that radical liberalism is alive and well in North Africa.
Joel and Ethan Coen’s will have its world premiere at the Berlinale on 11 February.
A feel-good football comedy and a Patagonian road movie are among the highlights of this year’s programme.
Director Roland Emmerich offers a laughably tin-eared take on ’60s gay counterculture.
Lucile Hadžihalilović makes a triumphant return with this experimental surgical horror (with added starfish).
Tsai Ming-Liang and his collaborator/muse Lee Kang-Sheng have a long, deep conversation about their relationship.
Legendary documentarian Frederick Wiseman’s ode to cultural diversity is a bustling profile of New York.
This cubist corporate musical set during the financial crash of 2008 oozes with boldness and creativity.
Michael Moore’s new movie is an example of a filmmaker with nothing valuable to say.
Ben Wheatley’s JG Ballard adaptation is a glowing cluster of stand-alone transgressions.
The latest from Japanese director Hirokazu Koreeda is sweet and saccharine to a fault.
Sandra Bullock tears up the political scene in La Paz in David Gordon Green’s feather-light political comedy.
This country music biopic starring Tom Hiddleston is a model of thoughtful restraint.
A top-tier festival opener arrives in the form of this scattershot yet thoughtful study of grief.
The master of misanthropy returns with a superb, quasi-animated feature on the nature of empathy.
This neon-lit ghost story from Apichatpong Weerasethukal is another hushed adventure into the sublime.
Who picked up the silverware at the 2015 Cannes Film Festival, including the coveted Palme d'Or?
The stunning pros and unfortunate cons in Justin Kurzel’s take on the Bard just about balance out.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
