Eva Husson’s timely ode to female resistance and survival sees an all-female Kurdish battalion take on ISIS.
Luis Ortega’s portrait of a real-life Argentinian serial killer makes for a fascinating character study.
By Ella Kemp
This passionate debut from Camille Vidal-Naquet boldly challenges our perceptions of male sex workers.
China’s foremost auteur Jia Zhangke returns with a stirring and constantly surprising social critique.
Obscure doesn’t even begin to cover the intractable delights of the latest cine-sortie from Jean-Luc Godard.
This eloquent and expressive gay romance from Christophe Honoré is one of the director’s finest achievements.
This shapeless, drama-free dirge through the rock scene in 1980s Leningrad has no place in the Cannes competition.
This miniature monochrome epic from Pawel Pawlikowski is a extraordinary piece of cinematic craftsmanship.
This sweet but slight Egyptian road movie follows a leper and an orphan on the road to self-discovery.
Embrace of the Serpent director Ciro Guerra returns with a full-bore narco saga set in rural Colombia.
Asghar Farhadi returns to Cannes with a slowburn domestic drama about secrets, lies and unsettled scores.
Liz Garbus’ compelling documentary details The New York Times’ coverage of Donald Trump’s first year in office.
Legal action could prevent Terry Gilliam’s passion project from premiering at the festival next month.
By Ed Gibbs
Cynthia Lowen’s intimate doc Netizens follows three victims of online abuse as they look to take back control.
Kelly Macdonald headlines the bittersweet Puzzle, a film about competitive jigsaw making.
Terry Gilliam’s epic passion project is set to receive its world premiere on 19 May.
The French provocateur will be joined by Ciro Guerra and Debra Granik at the 2018 Cannes Film Festival.
Jean-Luc Godard, Spike Lee and Alice Rohrwacher are set to compete for this year’s Palme d’Or.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
