This delectable tale of a stop-motion sheep in the city reminds us why Aardman Animation are a national treasure.
Paul Thomas Anderson charts the end of the hippy dream in this blissful gumshoe chimera.
Louis Malle’s unsentimental depiction of his own boyhood during the Nazi occupation of France stands the test of time.
Shake, rattle and brawl. A student drummer faces off with his psycho teacher in Damien Chazelle’s pulsating drama.
By Mark Asch
One of cinema’s Old Masters returns with this poetic and profound dissection of art and storytelling.
By Jordan Cronk
Claude Lanzmann’s devastating appendix to his epochal Holocaust documentary, Shoah, is a vital piece of cinema.
Is Stanley Kubrick’s seminal 1968 sci-fi really the space opera to end all space operas?
A timely and powerful exploration into the history of uprising in Africa as seen through the eyes of white liberals.
This one-for-the-ages family movie based on the books by Michael Bond is a full-blown Christmas triumph.
Could this satire on the power of propaganda be the greatest third part to a film franchise ever?
Edwyn Collins is the subject of this superb, affirmative documentary about regaining your musical marbles following a major health scare.
Christopher Nolan’s sci-fi epic is his most ambitious film yet, if not necessarily his best.
Timothy Spall grunts his way to glory in Mike Leigh’s elegantly composed portrait of JMW Turner.
Laura Poitras’ real-life spy thriller shows how and why Edward Snowden stepped up to blow the whistle on government spying.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
