Mumblecore empress Greta Gerwig dazzles in Whit Stillman’s first film in 13 years.
Aki Kaurismäki’s charming people-trafficking drama gently floats into the realms of the magical.
Jafar Panahi’s extraordinary self-portrait/protest piece is the gift that keeps on giving.
Nuri Bilge Ceylan’s hypnotic metaphysical noir is towering, tough and very, very pretty.
By Andrew Lowry
A modern noir that nods perfunctorily at the genre’s conventions, but sidelines them as quickly as it can to get to its real business.
By Jason Wood
This sensational debut from Sean Durkin sees Elizabeth Olsen become seduced by a dangerous cult.
If you haven’t read the book, you’ll want to. If you have read the book, you’ll want to read it again.
A confident return to the feature filmmaking fold from Alexander Payne featuring a champagne turn from George Clooney.
By Dan Stewart
Bennett Miller and Aaron Sorkin combine for the best film about statistics you’re ever likely to see.
By Jason Wood
Terence Davies’ wartime tragi-romance is filmmaking of the highest order.
An astounding achievement, Joachim Trier’s haunting film will stay with you for weeks.
By Paul Weedon
A remarkable feature debut from Andrew Haigh signals an exciting new voice in LGBT cinema.
Lynne Ramsay’s first film for nine years is a dizzying visual trip anchored by Tilda Swinton’s superlative central performance.
A unique and weird history lesson created by a director whose star is continually on the rise.
By Jason Wood
Largely eschewing the shock tactics of Dogtooth, Attenberg is arguably superior and certainly more embraceable.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
