By Jason Wood
Uncle Boonmee is by turns ironic, poignant, profound and languidly sensuous and erotic.
Annette Bening and Julianne Moore shine in this searingly funny tale of middle-age anxiety.
A deeply resonant piece of filmmaking that leaves you sure of one thing – there’s always more than one truth.
The Social Network may not have the impact on the world that Facebook has, but when the story is told this well, it doesn’t have to.
By Alice Levick
Nora Twomey and Tomm Moore’s animation fable is a feast for the eyes that manages to be both whimsical and sinister.
Debra Granik’s edge-of-the-seat backwoods thriller features a star-making turn from Jennifer Lawrence.
This is familiar territory for Werner Herzog – a compelling crime drama and intriguing character study rolled into one.
Although Scott Pilgrim is a hyperactive feast, its greatest strength is its studied literalism.
Black Dynamite feels as though it’s been recovered from a time-capsule and simply set free.
By Clemmy Manzo
Hardboiled thrills abound in this classy period noir from Argentine director Juan José Campanella.
By Anton Bitel
In his low-budget feature debut, Ben Wheatley brings a very English working-class brand of domestic banality to his evil.
It may not be art and it certainly isn’t truth. But Inception fulfils one of the basic tenets of cinema: it takes the breath away.
Jean-Luc Godard’s masterpiece stands the test of time, still managing to feel incredibly fresh and exciting.
By Ailsa Caine
The third film in Pixar’s flagship franchise is a satisfying if familiar farewell to old friends.
Dogtooth is a film that delights in disconcerting the viewer and refuses to supply any easy answers.
By Josh Winning
There’s girl power and attitude galore in Drew Barrymore’s roller derby-based directorial debut.