By Elena Lazic
Faux feminist biblical revisionism abounds in Garth Davis’ humdrum religious drama.
At long last – a light, funny superhero movie that embraces the fantasy aspects of the genre in both its story and form.
The likes of Sidney Poitier and Denzel Washington are being celebrated via a nationwide programme of events.
Laying siege to Earth’s most beloved locations, this is Roland Emmerich’s most perfect replica of the disaster flicks of the 1970s.