Scarlett Johansson has poured cold water on a possible solo outing for her comic book heroine.
Tilda Swinton’s Ancient One looks to be Marvel’s most progressive character yet.
By Greg Evans
How an animated TV movie from 1993 cut to the dark heart of DC’s iconic antihero.
By Alex Hess
M Night Shyamalan’s understated 2000 drama is anathema to the box-office behemoths of today.
DC’s freak show rodeo is an undercooked, cartoonish romp that reveals a great deal about modern moviemaking.
The hype around Suicide Squad suggests audiences are keen to see more of their favourite comic-book antiheroes.
By Anton Bitel
In Christopher Nolan’s urban epic, Batman takes on The Joker… or should that be, George W Bush takes on Osama Bin Laden?
By Mark Asch
Rejecting the physics of an ever-expanding comic book universe, Bryan Singer’s Superman reboot has passed the test of time.
Twelve writers pin their colours to the tentpole in our survey of the best summer movies of the modern era.
By Matt Burton
Shape History director Mike Buonaiuto believes introducing LGBT characters is only half the battle.
By David Lyons
The Hollywood hype machine is bigger than ever, but why are studios so keen to give away key plot details?
By David Lyons
The marketing campaigns for both Batman V Superman and Zootropolis obscured their female characters.
Universe building is now every studio’s top priority, but are Marvel and DC being shortsighted in their forward thinking?
Where do trailers end and movies begin? Zack Snyder has the answer with his fever-pitched latest.
He reinvented the comic-book movie. He filmed the unfilmable. So why doesn’t the Batman V Superman director get respect?
By Tom Bond
It’s become increasingly rare for films like Batman V Supeman: Dawn of Justice to live up to expectations.
By Ceri Thomas
The story of Jerry Siegel and Joe Shuster is the most inspiring and depressing in the history of the comic-book industry.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
