A stellar female cast head-up this intriguing looking drama from writer/director Mike Mills.
By Nick Chen
Despite their stylistic differences, these great American directors share a similar approach to filmmaking.
By Elena Lazic
Greta Gerwig provides the spark in American nihilist Todd Solondz’s unofficial sequel to Welcome to the Dollhouse.
Geena Davis, Greta Gerwig and Emily Blunt step up to the plate in the final part of our toast to women in comedy.
Greta Gerwig has the time of her life in Rebecca Miller’s shallow portrait of middle-class ennui.
With its wispy idiosyncrasy and sharp, biting humour, Greenberg may well win over the Baumbach cynics.
By Tom Seymour
Ti West’s period chiller is a modern horror film that feels at once nostalgically hackneyed and invigoratingly fresh.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
