By Emily Bray
An explosion of cuddly warmth can be found in this gentle tale of a disfigured boy coming up against school bullies.
Garry Marshall’s tin-eared greeting card movie extravaganza is so bad it’s almost quite good.
Jodie Foster swings for the Wall Street fat cats and misses by miles in this thin thriller which premiered in Cannes.
By Sarah Jilani
The Cannes Film Festival is slowly but surely setting out to promote gender equality, and others will follow.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
