Korean Cinema

Is this the definitive film on the conflict between North and South Korea?

By David Jenkins

Kim Dong-won’s rare 2003 film Repatriation plays at the 2018 London Korean Film Festival.

On the Beach At Night Alone – first look review

By David Jenkins

The wistful latest from Korean maestro Hong Sang-soo is powered by an exceptional lead performance.

The lives of Korean women as seen through the eyes of female directors

By Matt Turner

This year’s LKFF offered a refreshing counterpoint to the masculine narratives that continue to dominate Korean cinema.

The Wailing

By Anton Bitel

An outbreak of madness and murder takes hold of a small South Korean town in this superlative thriller.

review LWLies Recommends

Right Now, Wrong Then

By Matthew Eng

The latest from South Korea’s Hong Sang-soo is a romance so lovely it needs to be told twice.

review LWLies Recommends

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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