By Mark Asch
Rejecting the physics of an ever-expanding comic book universe, Bryan Singer’s Superman reboot has passed the test of time.
Twelve writers pin their colours to the tentpole in our survey of the best summer movies of the modern era.
By Matt Burton
Shape History director Mike Buonaiuto believes introducing LGBT characters is only half the battle.
Social media campaigns like #LGBTSuperheroes are exposing the movie industry’s worrying lack of diversity.
The legacy of Bryan Singer’s 1995 masterpiece survives in his sprawling mutant odyssey.
The third instalment in the rebooted comic book franchise is a colossal failure on every conceivable level.
By Mark Asch
Intimidating and otherworldly, the Australian actor’s impeccable physique has earned him the title of Manliest Man in Hollywood.
Five years after making his big screen bow, Chris Evans’ patriotic do-gooder continues to stand out in a world of antiheroes.
Hey kids! Captain America’s back, and he’s brought some lively political views with him.
The Sherlock star goes through the looking glass in Marvel’s mind-bending latest.
By David Lyons
The Hollywood hype machine is bigger than ever, but why are studios so keen to give away key plot details?
By David Lyons
The marketing campaigns for both Batman V Superman and Zootropolis obscured their female characters.
Universe building is now every studio’s top priority, but are Marvel and DC being shortsighted in their forward thinking?
By Tom Bond
It’s become increasingly rare for films like Batman V Supeman: Dawn of Justice to live up to expectations.
Marvel’s lewd crude crime-fighting dude, as played by Ryan Reynolds, is as unfunny as he is uninteresting.
With Universal building its own shared universe, we look at how Dracula and co can compete with the Marvel machine.
Josh Trank strips back the tired super hero template with genuinely intriguing and valuable results.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
