From Oldboy to Stoker, here are some of the South Korean director’s most memorable moments.
By Abbey Bender
Park Chan-wook’s sumptuous erotic thriller is among his boldest works to date.
By Anton Bitel
Find out what’s top of the pile in our gore-drenched salute to the horror cinema bonanza.
By Amandas Ong
Will this enduring trope become obsolete as we move towards a less gendered worldview?
Sarah Walters provides the literary source for the Korean maestro’s Cannes-bound latest.
Operatic style can’t paste over the meagre, far-fetched substance in Oldboy director Park Chan-wook’s English-language debut.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
